Casino versus japan.history kaiso.blogspot
Jun 07, · Explore releases from Casino Versus Japan at Discogs. Shop for Vinyl, CDs and more from Casino Versus Japan at the Discogs Marketplace. Sep 04, · Casino Versus Japan MEGA POST Casino Versus Japan is the moniker of one Eric Kowalski, who resides in Milwaukee, Wisconsin, and has been very slowly churning out some of the most sublime electronic music of the last ten years, well, the first 5 years of the last ten, as CVJ has not released a drop since Casino Versus Japan Green Bay, Wisconsin. placeholder. contact / help. Contact Casino Versus Japan. Streaming and.
Casino Versus Japan
There's zero information found here, except for the tracklisting. Of course, considering the anonymous nature of Casino Vs. The songs are shorter, the music is slower, deeper, and much more intricate. Accessed: July 13, Kowalski taught himself piano in high school, along with guitar and drums , and began putting together simple songs. Let me know if you know anyone who knows anything.
I owe you my life, Go Hawaii has been really hard to find. I had given up until I did a random search and found your blog. TBA mid summer Love to all, cvsj. Post a Comment.
Casino Versus Japan is the moniker of one Eric Kowalski, who resides in Milwaukee, Wisconsin, and has been very slowly churning out some of the most sublime electronic music of the last ten years, well, the first 5 years of the last ten, as CVJ has not released a drop since Although he has garnered praise in his short career, he's somehow slipped by the ear or has been written off by some of the most discerning electronic music nerds I know, and has all but been forgotten in the last few years.
In all honesty, I'm not even sure how I came across this wunderkind. Probably got a recommendation from someone in the early days of Soulseekin', nonetheless, I managed to grab a solid copy of Go Hawaii sometime around and I haven't looked back since. Still lookin' for the vinyl of this sucker. Let me know if you know anyone who knows anything. Most of the reviews I have come across over the years tend to make an easy comparison to Boards Of Canada, which is more than fair, but it's not the whole story.
Apparently he has been making music since childhood, and it's quite apparent that his childhood, much like Boards Of Canada's, has seeped deep within the music. Samples of children's voices, sunshine tinted synth lines, and an overall feel of nostalgia permeate the music, much as it does with Boards Of Canada.
Post a Comment. On the surface, Casino Vs. It's meant to serve as a collection of songs recorded during those years, but it's not helpful in the least.
There's zero information found here, except for the tracklisting. Is this a chronological collection? Is this a mix and match of tunes? Were all of these songs previously unreleased? If you're looking to know more about these songs, forget it, because you're not going to get any help. Of course, considering the anonymous nature of Casino Vs. Japan's music, should that really come as much of a surprise? No, not really. Casino Vs Japan has always been Erik Konalski and his toys, and there's really not much to know other than that.
I mean, really, what can you say about a one-man techno band that's not self-evident? Oh, yeah, their music was featured in a car commercial not too long ago. Makes sense if you think about it--instrumental electronic music is perfect for commercials.
Hope he made some good money for it. Disc One contains twelve songs, and while the music's very mellow, these tunes are much more beat oriented. Some of these songs have a hint or two of trance,such as "To Be Roomy" and "Search For The Sun," and all of these tunes have a gentle heartbeat pulse to them. The only drawback to disc one, though, is that the music doesn't seem to be terribly different--or better than--the music of lik-eminded electronica composers such as Flowchart or Matmos.
The songs here are merely nice, but ultimately, it's a weak collection that doesn't really hold up to continuous listens. Disc Two, though, is what makes this collection essential. Gone are the cheesy beats though one or two songs do have them , the noodling, the ideas that fall flat. In their place, though, is atmosphere.
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